Lefties Capture Olympics!

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Lefties Capture Olympics!

That must have been the reaction of the hysterical right in the US and UK when they saw Director Danny Boyle’s opening ceremony for London 2012. Shock for them, awe for the rest of us.

Published in Cinemarolling by observer1, on July 30, 2012
The Beatles, (New) Hollywood & The Hollywood Renaissance: The Influence and Effect of The Fab Four on The Film Industry

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The Beatles, (New) Hollywood & The Hollywood Renaissance: The Influence and Effect of The Fab Four on The Film Industry

“The Beatles Are Coming!” (Capitol Records Promotional Badges, December 23rd 1963)

By mixing together a variety of contemporary film styles and by anticipating the Hollywood blockbuster market, The Beatles set a standard for film making that would dominate the industry for the next ten years, as can be deduced from analyzing The Beatles’ movies and the emergence of “New Hollywood”, especially the circumstances around and the making of A Hard Day’s Night and Easy Rider.

Published in Cinemarolling by Dingleberry the Sheep, on October 13, 2011
Harry Potter and The Final Battle: A Review of The Deathly Hallows, Part Two

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Harry Potter and The Final Battle: A Review of The Deathly Hallows, Part Two

Derek Hart, a Harry Potter fan, offers his views and comments – essentially his official review – on the eighth and last film of the boy wizard’s epic tale.

Published in Cinemarolling by DerekH, on July 15, 2011
Liam Gallagher Invite Johnny Depp to Play Movie

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Liam Gallagher Invite Johnny Depp to Play Movie

Apart from the band Oasis Liam Gallagher does not make worse and not productive. In addition to forming a new band Beady Eye, Liam is now also working on a film project that tells the story of the legendary band The Beatles. He intends to ask Johnny Depp.

Published in Cinemarolling by riyanwidya, on May 26, 2011
NOT SO FAB

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NOT SO FAB

A critical view of a key scene in The Beatles’ film "A Hard Day"s Night’.

Published in Cinemarolling by Paul Evans, on April 5, 2011
Documentary, Cinema Verite and Direct Cinema. a Quick Diary Entry ..

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Documentary, Cinema Verite and Direct Cinema. a Quick Diary Entry ..

Cinema Truth. It seems this week’s topic is very much en vogue at the moment with so many so called “Truth Films” doing the rounds in many independent cinemas and the download torrents of the internet. Michael Moore, Alex Jones and Mark Achbar attacking the major corporations and plutocracy of the Unisted States of America. Having watched many of these films and alot of documentary passively over the last ten years there’s a few things and conventions i’ve come to expect. Watching the Cinema Verite: Defining the Moment documentary on Wednesday morning was very interesting to see the development of the form and, moreso, the thoughts ten years ago on the future of documentary. Thus highlighting the fact that documentary is a constantly evolving form of film making not tied to a specific time period, just films over time that attempt to document what is "real" or what is "true". As Grierson says "the creative treatment of actuality".

Published in Cinemarolling by Dingleberry the Sheep, on February 22, 2011
Five Great Movie Songs

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Five Great Movie Songs

Five great movie songs.

Published in Musical by Withheld, on August 29, 2010
Across The Universe

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Across The Universe

This is a musical movie which was released in North America on the12th October 2007, directed by Julie Tymor, the Director of Broadway theatre and movies. The movie is the brain child of two intelligent writers, Ian La Frenais and Dick Clement.

Published in Cinemarolling by writinggenius, on April 22, 2010
Across The Universe

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Across The Universe

An essay on how Across the Universe relates to today’s young adults.

Published in Cinemarolling by ryan11, on September 6, 2009
The Beatles Needed Help!

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The Beatles Needed Help!

A brief look at just how important the film Help! was in the Beatles’ career and for John Lennon’s in particular. Perhaps it was from this time that John Lennon really did need help.

Published in Musical by Alistair Briggs, on January 18, 2009