Comments (1)|Liked It: 33
Analyse The Formal Properties and Stylistic Features of Yasujiro Ozu’s The End of Summer (1961), with Particular Reference to Their Difference From Classical Hollywood Cinema
Yasujiro Ozu’s The End of Summer (1961) in terms of formal and stylistic properties, differs greatly from the classical paradigm of Hollywood cinema.
Post Comment|Liked It: 46
Discuss How Film Can be Related to Discourses of Nationhood and National Identity
“Emotional values are the ones I rate most highly … the means must be emotional to be effective.” (Andrzej Wajda, 1969)
Film and the film industry is less than 150 years old and the dominant ideology throughout the world throughout this time has been nationalism, sovereignty and military industrialism. Film, therefore, I believe, has been naturally immersed in the ideas of the political, cultural and national ideologies of nation states and this has affected the majority of films and their production.
Comments (1)|Liked It: 0
Black Swan Review
This is a simple piece for understanding the beautiful film, Black Swan…
Post Comment|Liked It: 0
Black Swan: A Closer Look
Black swan, a film directed by Darren Aronofsky, didn’t only bring us the curves of ballet moves, it also brought us the psychology of man’s desires.
Comments (1)|Liked It: 1
Black Swan Review
Black Swan might be the toast of cinema after its British release last weekend, but not to me.
Post Comment|Liked It: 52
Black Swan – OMG! Ballet as a Horror Show
My review of Darren Aronofsky’s "Black Swan" which features Natalie Portman in one of the very best performances of her career.
Post Comment|Liked It: 0
Mao’s Last Dancer and Secretariat Reviews
A review of two inspirational true stories.
Post Comment|Liked It: 0
Review: Black Swan
A review of "Black Swan" directed by Darren Aronofsky, starring Natalie Portman, Mila Kunis, and Vincent Cassel.
