Movie Review: “Seven Psychopaths”
Martin McDonagh follows up his brilliant "In Bruges" with "Seven Psychopaths," a movie which looks to be another skewering of action movie cliches but which also is a story about friendship above all else. It stars Colin Farrell, Sam Rockwell, Christopher Walken, and Woody Harrelson among others.
Leave it to playwright and filmmaker Martin McDonagh to still find ways to skewer those endless clichés we see in action movies. At this point it feels like so many directors outside of Quentin Tarantino have tackled them to where we are completely burned out on films which try to show how clever they are in taking apart clichés that have long since been torn apart.
Now McDonagh’s latest film, “Seven Psychopaths,” looks to be another over those satirical and incredibly violent action movies on the surface, but underneath it all is a surprisingly moving story about friendship. Now I can already hear a lot of people saying that using violence to tell a story like this is utterly hypocritical, but they are clearly not aware of McDonagh’s plays like “The Pillowman,” “The Lieutenant of Inishmore” or “A Behanding in Spokane,” and they probably haven’t even seen his previous movie, the brilliant “In Bruges.” All those works do have a high level of blood and violence in them, but they are not simply designed to shock people. McDonagh instead uses those elements to get at a deeper truth about life and the people closest to us, and this is not always apparent to those who view his work from a distance.
The movie stars Colin Farrell as Marty Faranan, a struggling writer who is eager to finish his screenplay which is also titled “Seven Psychopaths.” The problem is that he spends far more time getting drunk on wine and beer than he does writing anything. So far the only idea Marty’s come up with is a Quaker psychopath who finds an interesting way to follow someone to the afterlife (I won’t dare give it away here). His actor friend Billy Bickle (Sam Rockwell) is eager to help him, but he’s caught up in his part time business of dog kidnapping with his partner Hans (Christopher Walken). With this business, they cleverly managed to abduct dogs, and then they return them to their owners for a reward.
One of the dogs Billy ends up kidnapping, however, turns out to be a Shih Tzu named Bonnie which belongs to Charlie Costello (Woody Harrelson), a vicious gangster who has far more love for animals than he does for the rest of humanity. This forces Marty, Billy and Hans to go on the run as Charlie and his henchmen will stop at nothing to get little Bonnie back. While making their getaway, they come to look at what has become of their lives and of how they need one another’s friendship to survive in such a competitive world.
Now combining comedy with violence (and we’re talking very bloody violence here) is never an easy mix as it often feels uneven in most movies which attempt it. Bobcat Goldthwait tried it earlier this year with “God Bless America” which had its two main characters going on a crime spree as they kill off various spoiled rotten celebrities with extreme prejudice. While Goldthwait mostly succeeded with that film, he was walking a thin line between success and failure as his subject matter was very controversial.
McDonagh has it a little easier than Goldthwait though as, while the struggles of these Hollywood wannabe characters does feel a bit realistic, the story has him dealing with a number of seriously deranged people which seem comfortably removed from reality. And as he did with “In Bruges,” McDonagh does a wonderful job of combining some laugh out loud moments with scenes of strong emotion. As a result, you never are sure what exactly will happen in one scene from the next.
In movies like these, Colin Farrell appears to be having the most fun as an actor. After appearing in that needless remake of “Total Recall,” he fares much better this time around as a writer who is afflicted with self-doubt and is not always the nicest person to be around. But the joy of watching Farrell here is seeing his character grow as a person right up to the film’s conclusion, and he’s much better at accomplishing this than people typically give him credit for.
Watching Sam Rockwell as Billy Bickle once again reminds us that he is a powder keg of creativity and is as unpredictable as most actors get these days. Rockwell is endlessly entertaining as his character takes some interesting twists and turns throughout the movie, and he almost steals the show as he performs for Farrell’s and Walken’s characters what he thinks is the best climax of an action flick ever. The audience I saw this with at Arclight Hollywood ended up applauding him when he concluded, and you don’t always see that happening at a movie theater.
Then there’s Christopher Walken who still appears to be going back and forth from being a brilliant serious actor to one who engages in self-parody a bit too much (”I gotta have more cowbell!”). But as Hans, Walken gives one of his very best performances in a long time as he perfectly captures the character’s giddiness at how he makes a living to unveiling a deep pain which he can no longer hide when tragedy overtakes his life. All the way up to his last moment onscreen, Walken is a marvel and just a thrill to watch.
Woody Harrelson himself has been on a roll in movies for the past few years, and his performance as Charlie Costello is absolutely inspired. You come out of “Seven Psychopaths” feeling like Harrelson was born to play this role, and that’s saying something when you consider that Mickey Rourke was originally cast as Charlie before he had some sort of falling out with McDonagh. But this character brings out that wonderful comic touch Harrelson consistently gave off in “Cheers” and “White Men Can’t Jump,” and it also showcases that uninhibited darkness which he unforgettably portrayed in “Rampart” and “Natural Born Killers.” Harrelson can go from being funny to frightening in zero seconds flat, and you don’t even have to be a pesky paparazzi photographer to know that.
There are also some terrific turns from Kevin Corrigan and Željko Ivanek as two of Costello’s hoods, and Tom Waits is wonderful in a supporting role as a remorseful psychopath. The movie is also aided by a great film score by Carter Burwell, an excellent production design from David Wasco, and some beautiful cinematography from Ben Davis.
The only place “Seven Psychopaths” falters is in its use of female characters. Abbie Cornish portrays Kaya, Marty’s girlfriend, and she gets very little to do here other than get insulted by Marty and Billy and then look pretty pissed off about it. While Cornish does look beautiful when she’s pissed, you know she’s capable of much more than that.
Olga Kurylenko also shows up as Costello’s girlfriend Angela, and she is a wonderful presence but is also dealt with a role which is smaller than she deserves. Gabourey Sidibe of “Precious” fame fares a little better as her character of Sharice, the girl who accidently loses Costello’s beloved Shih Tzu, is meant to be nothing more than a cameo. But considering that Cornish and Kurylenko get top billing, you cannot help but expect them to have better characters to play here.
Still, “Seven Psychopaths” is a very entertaining movie and a must for any fan of Martin McDonagh. Yes it is violent and plays around with all those things which keep getting repeated ad nausea in action movies, but it also is about wanting something more in a story than just guys with guns. I will leave it up to you the viewer to see how McDonagh accomplishes that here.
Also, it will also leave you wondering about the following question: does a human head explode if you shoot it in the right spot? This same question was asked in Edgar Wright’s “Hot Fuzz,” and inquiring minds are still looking for an answer.
* * * ½ out of * * * *